Blerton: August 2012

Wednesday, August 29, 2012

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Sales Rank: #596623 in Books
Published on: 2001-01-17
Binding: Paperback

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Monday, August 20, 2012

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Technical Communication offers complete coverage�of technical communication, business communication,�and professional writing in a user-friendly writing style. The topics move from basic foundational concepts, to chapters on research, visuals, style, document design, usability, and finally to specific documents (basic workplace correspondence to more complex documents, technologies, and oral presentations).� The appendix includes thorough coverage of MLA, APA, and CSE (Council of Science Editors)�documentation styles, and a handbook of grammar, mechanics, and usage.�All descriptions of and instructions for creating technical documents are accompanied by clear, annotated model documents.� In addition, graphic illustrations appear throughout the book to make abstract concepts easy to understand. Checklists and Projects provide plentiful opportunities to learn and reinforce chapter topics.

Sales Rank: #163480 in Books
Published on: 2010-11-04
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.20" w x 7.30" l, 2.25 pounds
Binding: Paperback
784 pages

From the Back Cover

Here’s how MyTechCommLab can help you save time and
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�

�� Interactive Model Documents–Nearly 90 models will help
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About the Author

John Lannon is Professor Emeritus and former Director of Writing at the University of Massachusetts Dartmouth, where he developed the undergraduate major in professional writing and later co-developed the M.A. program in professional writing.
He has also taught at Cape Cod Community College, University of Idaho, Southern Vermont College, and University of Strasbourg.
He has authored and coauthored five major textbooks in business communication, rhetoric, and technical communication, book reviews, filmstrips, and environmental documents and instructional software.�He is the recipient of an NDEA Fellowship and Fulbright Lectureship. He holds a B.S., M.A.�and Ph.D. from the University of Massachusetts Amherst. His initial training and work was in biomedical science and technology with the USAF. He has served as a communications consultant for various companies and government institutions.� He worked seven years in medical laboratories.

Laura J. Gurak is professor and founding chair of the Department of Writing Studies at the University of Minnesota. She holds an M.S. in technical communication and a Ph.D. in communication and rhetoric from Rensselaer Polytechnic Institute. She is author of two books from Yale University Press (1997, 2001), the earlier of which was the first book-length work to study online communities and Internet-based social actions. Gurak is also co-editor of several edited collections and author on numerous conference presentations and papers; she is a recipient of the Society for Technical Communication’s Outstanding Article award. Gurak has authored and coauthored five textbooks in technical communication published by Pearson. She has worked as a technical writer and communications consultant for various companies and organizations.

Most helpful customer reviews

0 of 0 people found the following review helpful.
What can I say, it is a textbook. ...
By litesavers
What can I say, it is a textbook. It was exactly as described, the one that I needed for my class and in the condition that it said.

1 of 1 people found the following review helpful.
extremely useful
By Braden McMillin
I have rented this book but I am thinking about buying it despite its large price. There are so many useful and practical things in this book and I am not just saying this. Most of the time I only rent my books because most of the time I know I will only use it one or two times and the rest of my answers for my classes can be answered by google. This book is filled with tons of practical information that you can use in numerous situations for ex resume's, memo's, cover letters, instructions, definitions, brochures, and letters in general. The information in this book helped me get two job one as a supervisor and another as an office assistant (i'm only 20) and I have only had it for a few months. If your are thinking about renting this book and do have the money to buy it i highly recommend that you buy it to save yourself the trouble of deciding to buy it after rented it. whatever is your original intention you have for this book is well worth ( that is if your getting it to learn from it) if you are looking for fuel for a fire i would recommend something else that is cheaper like dried out pine needles though if it must be a book i would recommend twilight.

1 of 1 people found the following review helpful.
Solid
By Andrew Tatge
Clear and well organized. Some of the information might seem fairly obvious, but if you wanted a reference book or were taking an introductory course on technical writing [or any formal writing] I couldn't tell you any problems that I had with it. Generally clear and well laid out, the writing isn't dull. It does a good job of exhibiting the ideals and practices it espouses in each chapter and section; I can't really ask for more in a book about communication.

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Saturday, August 18, 2012

[O389.Ebook] Download Ebook Unity 5 from Zero to Proficiency (Intermediate): A step-by-step guide to coding your first game in C# with Unity (Volume 3), by Patrick Fe

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Why this book can help you to get started with Game Development

Creating your own game can be very intimidating at the start, and quite often, regardless of your experience with games, it is sometimes difficult to find the time and motivation to get over the first barriers and to get started.

Often, these barriers seem higher than they actually are. Maybe you are a teacher trying to introduce games in your classroom or a parent trying to help your child with coding, but with no previous coding or game development experience; maybe you are a hobbyist who would love to create interactive environments based on your favorite games; maybe you are a student getting started with game development but you just don't know where to start or what resources to use; or maybe you have tried online video tutorials but found them disjointed. You may be wondering: "How can I start to create my games if I have no experience of coding", or "this game engine is so complex that I just don't know where to get started".

This is quite common, and you can easily overcome these issues with a step-by-step approach that gets you to progressively develop and use your skills. This is the approach that I have used successfully over the past years to take students from no knowledge of coding or game development to good levels of proficiency in Unity and coding.

Of course, it takes some time and dedication; however, by following the techniques and suggestions described in this book, I can promise you that you will progress, regardless of your background, and become more comfortable with Unity and coding.

Content and structure of this book

In this book, the third book in the series, you will become comfortable with programming in C# by creating a simple survival game in Unity. The book includes:

A list of the learning objectives at the start of each chapter.
Step-by-step activities.
Opportunities to engage in deeper learning and problem-solving skills through challenges at the end of each chapter.
Quizzes to test your knowledge.
Code solutions (in C#) for each chapter.
Cheat-sheets (i.e., shortcuts, best practice, etc.) that you can download.

The content of each chapter is as follows:

Chapter 1 provides an introduction to C# and explains key programming concepts such as variables, variable types, polymorphism, constructors, or methods as well as best practices for C# programming within Unity.
Chapter 2 helps you to code your first script in C#. It explains common coding mistakes and errors in Unity, and how to avoid them easily.
Chapter 3 gets you to use C# to instantiate, use and control Rigidbody objects from your script as well as explosions.
Chapter 4 explains how to create a simple weapon management system. You will create weapons (e.g., a gun and a grenade launcher), manage the collection of ammunition, and also implement a user interface to keep track of ammunition.
Chapter 5 explains how to use Mecanim and NavMesh navigation to control an animated NPC that detects, follows, or shoot at the player.
Chapter 6 makes it possible to combine the skills that you have acquired in the previous chapters to create a fully functional level. You will also learn how to generate a maze (or game level) dynamically from your code.
Chapter 7 provides answers to Frequently Asked Questions (FAQs) related to FSM, NavMesh, Rigiddbody components, or Artificial Intelligence. It also provides links to additional exclusive video tutorials that can help you with some of your questions.
Chapter 8 summarizes the topics covered in the book and provides you with more information on the next steps

Sales Rank: #419930 in Books
Published on: 2016-04-21
Original language: English
Dimensions: 11.00" h x .73" w x 8.50" l,
Binding: Paperback
308 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good Fit for Me
By darkcser
I started learning Unity a couple of month ago using online resources from Unity as well as various classes from Udemy but could not really retain what I learned by following along a video. Most of the time I could replicate what I saw as long as I followed the videos step by step but often could not remember why I performed certain actions or develop a deeper understanding of what was happening. This book really helped me gain a deeper understanding, and was concise enough to keep me interested. As of now I'm about 66% through the book, and will likely finish it in the next couple of days. Thus far I have only experienced a small oddity in the code in that the NPC using Nav Mesh Agent keeps raising up as it follows me but other than that it has been smooth sailing. In the past I have been programming in C# for 10+ years but haven't done anything 3D since my Masters so this was quite helpful.

2 of 2 people found the following review helpful.
Great book.
By Shahar Levy
The third book (out of four) i bought, the Unity 5 From Zero to Proficiency series is a perfect series to make you understand how Unity works.
The third book focus on more advanced C# methods and functions to perform complicated task for your game such as AI, Weapons managements and more 3D game functions.
Great examples for codes, the book shows a code to add, and explains step by step its functionality and what every C# function does.
Highly recommended

0 of 0 people found the following review helpful.
Excellent series of books
By Amazon Customer
Excellent series of books. Pat has a very clear style, which is logical and easy to follow. He is also very responsive to feedback and queries.

I highly recommend these this series.

2h.

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Unity 5 from Zero to Proficiency (Intermediate): A step-by-step guide to coding your first game in C# with Unity (Volume 3), by Patrick Fe PDF
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Friday, August 17, 2012

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Brain and Behavior: A Cognitive Neuroscience Perspective addresses the central aims of cognitive neuroscience, seeking to examine the brain not only by its components but also by their functions. It highlights the principles, discoveries, and remaining mysteries of modern cognitive neuroscience.

Brain and Behavior covers a wide swath of territory critical for understanding the brain, from the basics of the nervous system, to sensory and motor systems, sleep, language, memory, emotions and motivation, social cognition, and brain disorders. Throughout the narrative, the authors emphasize the dynamically changing nature of the brain, through the mechanisms of neuroplasticity. Wherever possible, they refer to elements of neuroscience that are encountered in everyday life. Key points and concepts are illustrated using case studies of rare but illuminating brain disorders. Brain and Behavior pulls together the best current knowledge about the brain while acknowledging current areas of ignorance and pointing students towards the most promising directions for future research.

Sales Rank: #503611 in Books
Published on: 2015-12-15
Original language: English
Number of items: 1
Dimensions: 8.60" h x 1.30" w x 11.10" l, .0 pounds
Binding: Hardcover
688 pages

Review
"The Neuroplasticity chapter contains all of the information that is contained in the Cognitive Neuroscience book I currently use, and goes well beyond that book. I love the seamless integration of human, animal, and cellular levels of analysis. The case studies are gripping. The writing is
excellent and engaging and the figures are beautiful."
--Scott Slotnick, Boston College

"This is a very well-written, up-to-date, and well-thought-out book on cognitive neuroscience. Particularly impressive is the inclusion of chapters not included in most cognitive neuroscience textbooks. These include psychiatric disorders and addiction."
--Arne Ekstrom, University of California, Davis

"I'm impressed by how well the book is tailored to an undergraduate course, both in its scope and in its content. The writing is more clear and digestible for an undergraduate audience than most neuroscience books."
--Vonetta Dotson, University of Florida

"I like the authors' approach. They ask intriguing, meaningful questions and write clearly. They express wonder at new methods in neuroscience that are answering question of how mind can emerge from the action of interconnected neurons. Their use of case studies and features keep the text
moving."
--Lewis Barker, Auburn University

About the Author

David Eagleman is a neuroscientist, New York Times best-selling author, and Guggenheim Fellow who holds joint appointments in the Departments of Neuroscience and Psychiatry at Baylor College of Medicine in Houston, Texas. Dr. Eagleman's areas of research include time perception, vision, synesthesia, and the intersection of neuroscience with the legal system.

Jonathan Downar is the director of the MRI-Guided rTMS Clinic at the University Health Network Hospital in Toronto, Canada, and a scientist at the Toronto Western Research Institute. He currently holds appointments with the Department of Psychiatry and the Institute of Medical Science at the University of Toronto.

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Thursday, August 16, 2012

[R973.Ebook] Download Weave Classic Crackle & More, by Susan Wilson

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Crackle is a surprisingly versatile weave structure with exciting design potential. This book offers a comprehensive explanation of drafting the crackle weave structure and weaving classic crackle. Tools and tips for independent designing add extra depth to your study of crackle. Explore crackle s flexibility with a myriad of treadling variations, including an in-depth discussion of polychrome techniques. Learn about the expanded possibilities and unique challenges presented by crackle on more than four shafts. Over 200 images illustrate the methods described. Meticulously presented by a noted weaving teacher, this is the first book for American handweavers devoted exclusively to crackle in 50 years. Weavers will find this comprehensive guide to crackle weave a valuable addition to their libraries and a source of great inspiration.

Sales Rank: #527656 in Books
Published on: 2011-11-28
Original language: English
Number of items: 1
Dimensions: 11.20" h x .66" w x 8.71" l, 2.15 pounds
Binding: Hardcover
128 pages

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29 of 29 people found the following review helpful.
Excellent book about a fascinating weave structure
By Amazon Customer
This is a wonderful book about a weave structure that you could spend a lifetime exploring. It gives a clear presentation of the basics of crackle and its many variations. The book is very well organized and is written with the intent to encourage experimentation. It is filled with color photographs of both woven samples and beautiful finished projects that will both instruct and inspire you.

It is not however a "project" book. None of the finished projects shown are accompanied by detailed weaving instructions. Each project is accompanied by two photos, one showing the entire piece, and another showing close-up details. There is also a short description of how each project was woven. This information, along with the descriptions of the weave variations in the text, is enough for you to create the project drafts if you want to. Creating those drafts is a very good exercise if you care to do it, but hopefully you'll also want to experiment and create your own unique items.

Most of the book describes crackle on 4 shafts. The possibilities on 4 shafts appear endless. Many of the 4 shaft variations require weaving with 3 shuttles at a time and some require frequent weft color changes. There is no discussion on shuttle handling, which may have been helpful. I suspect though that there really isn't a good general method for handling the shuttles that would apply to most of the variations.

There is also a very good chapter on how to weave crackle on more than 4 shafts. The chapter concentrates on using 8 shafts, but it's clear that the threading and treadling instructions could be extended to any even number of shafts. The 8 shaft weaves are complex enough that 3 shuttles aren't always necessary. There are several beautiful projects that use only a single shuttle.

Instructions for weaving several different samplers are included in the text. I think it would have helped if there was a separate summary of how to set up the samplers and what variations they might contain. But this summary may have been omitted to encourage experimentation.

One word of caution. Before you tackle this book, you need to have a good understanding of how to use profile drafts with block weaves. Familiarity with overshot and summer & winter would also be helpful.

17 of 17 people found the following review helpful.
Neat!!!
By ANC
I am so excited by the challenge that this book offers! I feel like this is a great book to grow into. I really want to sit down and use it like a personal tutor in a solo crackle weaving home-study course! It would definitely be wise to sit down in a cool dark place where there is no extra noise or distractions so you can read it chapter by chapter and ponder everything. I haven't quite been righteous enough to do that yet, but I feel like the challenge of this book is right up my alley! I have enjoyed reading the first 2 chapters and also thumbing through all the color photos throughout the book. I will have to post again when I finally finish it.

EDITED 1/16/2013: I finally have really studied this book and here is my edit!

Like all texts, there are pros and cons to the book "Weave Classic Crackle & More" by Susan Wilson. My overall impression is very high and I am very impressed with the knowledge gathering that Ms. Wilson has done. She is obviously very qualified to write the book because she has been weaving crackle since 1969 AND she has achieved quite the honor by receiving the Master level Certificate in Handweaving back in 1990. I mention this because Susan's book and the other crackle book I used in my personal crackle adventures[...] this last month (called "A Crackle Weave Companion" by Lucy M. Brusic)* have conflicting information in them for what certain crackle weaves are called. As a crackle-newbie, it was confusing until I threw the official names out the window and just concentrated on the weave structures. However, taking into consideration Susan's numerous publications along with what I feel is a respectable amount of professional weaving certification, I trust that her nomenclatures are the correct ones.

Crackle weave is already a very complex structure and is not for the faint of heart! It has some characteristics that are like no other weave, yet you can weave it "in the manner of" other weaves! A weaver who is new to crackle would definitely benefit from a source such as this. However, the book "Weave Classic Crackle and More" is not for the weaver looking for patterns to weave. It does not tell you exactly how to set up your loom or how much material to use. The book does, however, cover from the very basics of crackle and builds to the very complex weaving structures, all the way from 4-shaft to 8-shafts.

Chapter 1 starts with some history and chapter 2 covers the characteristics of crackle, for example it explains how crackle is made up of block weaves and describes each block, including the incidental thread for each one. The crackle pattern that was written out in a structural draft on page 19 was particularly useful since I was just beginning to learn about it. This draft gave me a chance to really study what the threads were doing. The crackle draft is very unique, and can be pretty confusing at times without the right references. Chapter 2 also has some profile draft explanations and design ideas. Page 25 was my inspiration for my latest colorful crackle project. I found her description intriguing enough to try it with six colors and loved it! [...]

Chapter 3 covers many different treadling variations that you can use in crackle, like you can weave crackle as other weave structures: overshot, summer and winter, Bronson lace, honeycomb, and other structures that I've never even heard of before, but they are very pretty. (To be honest, I have personally made it to the summer and winter point so far, but I hope to continue with more studying soon!)

Chapter 4 has some good descriptions on how to design crackle weave. But first it starts with polychrome, and also goes into weaving crackle in Italian manner, and oddly classic crackle actually fits into this chapter, although the other weave structures in chapter 3 were fun to do, as un-classic as they are! This chapter also includes information on boundweave and other weft-faced samples. Later there is a section to help you through designing traditional polychrome crackle, and the reason why it's more difficult to work with is because of all the independent color combinations going on here. Even though it is more difficult to work with than classic crackle, it offers more versatility and exquisite design options! Susan does a really good job explaining the difficulties of this weave. In this chapter, she also goes into a thorough explanation of hue and value of colors in crackle weave and the design process as a whole, which is extremely useful considering the non-independence of each block in crackle. Susan includes wonderful pictures to graphically explain this little quirk that makes crackle so much fun!

The last few chapter in the book discuss crackle on 8-shafts, turning the crackle draft, and color-and-weave effects. It even has a section how to make 8 blocks on only 4-shafts! And I can't emphasize enough how wonderful the pictures throughout the book are. In fact, they are some of the best I have seen in a while, and they are so numerous! They didn't skimp in this department!

There is definitely a lot of info in this book and it can keep a weaver busy for a good long time. One of my complaints though is coming from the point of view of a brand-new crackle weaver: I wanted more structure in my studies because I didn't have a clue what to do and having something so open was rather scary. I was afraid I was doing the weave wrong, and I had to study really hard to make sure I wasn't. I feel that this book would benefit from a section for the new crackle weaver that said something to the effect of thread your loom like this, now try this, this, and this crackle weave structure and walk the new weaver through step-by-step. I mean, I didn't even know what sett to use because it's a twill based structure but is it sett at twill? (The answer is no, it has a tabby sett!) It would have been nice to have that a little bit clearer description and starting point. However, once I decided to not be afraid and just throw an experimental warp onto my loom, it was so much fun! I just used the threading from page 19 and went through the weave structures like traditional crackle, crackle woven as overshot and woven as summer and winter. Like I said before, I have only made it to page 39 in my personal studies, but I have enjoyed the experience! I hope to be able to continue my studies using this text very shortly!

*A side note: In comparing this book to the other one mentioned (called "A Crackle Weave Companion" by Lucy M. Brusic), I like it so much better because the other book seems like a collection of a lot of obscure references that are hard to get a hold of these days. Also, it is written like an essay and the pictures aren't quite as good. The way the examples are written out are hard to follow and understand. In my personal crackle experimentation, I didn't reference it nearly as much as Susan's book.

15 of 16 people found the following review helpful.
The definitive modern crackle book
By T. Tuenge
I took a workshop from the author and was intrigued by the crackle weave structure. I have been a weaver since the 70's, by the way. I was very glad to find a few years later that Susan had written a whole book on the topic. Her explanations are very clear and easy to follow. And the photos of her samples are wonderful. It is a great addition to my weaving reference library. It will certainly replace my notes from her class in a complete way. I have older books on the topic of crackle weave, but as other up-to-date books of weaving instructions, the graphic abilities of publishers currently and the clarity of the writing makes the new book on an old topic of use.

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Wednesday, August 1, 2012

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Published on: 1994
Original language: French
Dimensions: 1.57" h x 5.12" w x 7.09" l,
Binding: Paperback

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Published on: 1656
Binding: Hardcover

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